{"id":4027,"date":"2024-04-24T22:57:29","date_gmt":"2024-04-24T22:57:29","guid":{"rendered":"https:\/\/bmolab.artsci.utoronto.ca\/?p=4027"},"modified":"2025-08-13T21:41:50","modified_gmt":"2025-08-13T21:41:50","slug":"lecture-and-event-recordings","status":"publish","type":"post","link":"https:\/\/bmolab.artsci.utoronto.ca\/?p=4027","title":{"rendered":"Lecture and Event Recordings"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=4308\" data-type=\"link\" data-id=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=4308\">Algorithmic Millennium<\/a>: Creating Staged &amp; Digital Games \u2013 Feb 4, 2025<\/h3>\n\n\n\n<p>What does experimental performance have to do with video games? How do emerging media provide new landscapes for diasporic narratives? How can live and digital bodies perform and resist algorithmic control? The BMO Lab\u2019s winter keynote will explore these questions and more with two of Canada\u2019s most exciting young artists: Natalie Tin Yin Gan and Remy Siu, of the multimedia performance collective Hong Kong Exile and the video game company Sunset Visitor. Their conversation with Dr. Doug Eacho aims to explore transpacific politics, vocal performance, motion capture, the state of electronic dance music, uses of allegory, anime fashion\u2026 at least. \u00a0<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2152675170&#038;color=%23ff5500&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true&#038;visual=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/user-143869556\" title=\"BMOLab\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\">BMOLab<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/user-143869556\/algorithmic-millennium-creating-staged-digital-games-hong-kong-exiles-at-bmo-lab\" title=\"Algorithmic Millennium: Creating Staged &amp; Digital Games - Hong Kong Exiles at BMO Lab\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\">Algorithmic Millennium: Creating Staged &amp; Digital Games &#8211; Hong Kong Exiles at BMO Lab<\/a><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=4232\">Revolutionary Stagecraft<\/a>: Theatre, Technology, and Politics in Modern China, Tarryn Li-Min Chun, Oct. 3 2024<\/h3>\n\n\n\n<p>In this talk, Dr Chun introduced her forthcoming book,&nbsp;<em><a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fpress.umich.edu%2FBooks%2FR%2FRevolutionary-Stagecraft3&amp;data=05%7C02%7Cdavid.rokeby%40utoronto.ca%7C9e6f515d373648b71b8108dce3132146%7C78aac2262f034b4d9037b46d56c55210%7C0%7C0%7C638634918575472655%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=8jqkIrd3IggG%2BUdvxGto1fns2XzOrUiH7vYv9i8mPmU%3D&amp;reserved=0\">Revolutionary Stagecraft: Theatre, Technology, and Politics in Modern China<\/a><\/em>, which draws on a rich corpus of literary, historical, and technical materials to reveal a deep entanglement among technological modernization, political agendas, and the performing arts in 20th century China. This unique approach to Chinese theatre history combines a close look at plays themselves, performance practices, technical theatre details, and behind-the-scenes debates over \u201chow to\u201d make theatre amid the political upheavals of China\u2019s revolutionary century.&nbsp;<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/1029742978?h=93de2f94bf&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Tarryn Li-Mun Chun Lecture, BMO Lab, October 3, 2024\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=3951\">Beware of Robots<\/a>: Performance, Questions of Technology, and a Strong Program for Theatre Studies with Professor Ulf Otto \u2013 Mar. 27, 2024<\/h3>\n\n\n\n<p>This talk shows how prevailing ways of making scholarly sense of performance are challenged by the consideration of technology. It tracks down the changing meaning of technology in the course of a cultural historiography of theater; and turning to the transdisciplinary field of Science and Technology Studies, proposes a relational materialist concept of technology.&nbsp;<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/929648629?h=d721a6fcca&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Ulf Otto Lecture at BMO Lab &quot;Beware of Robots: Performance, Questions of Technology, and a Strong Program for Theatre Studies.\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=3931\">Staging Infrastructure: <em>Universal Child Care<\/em><\/a> with Norah Sadava and Amy Nostbakken, Mar. 8, 2024<\/h3>\n\n\n\n<p>Norah Sadava and Amy Nostbakken discuss their production Universal Child Care, and the process of developing the work.<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/923502081?h=cbbaa87235&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Universal Chld Care-HD 1080p\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=3859\">From Digital to Dressing Room<\/a>: Hair Theory, Technology, and the Styling of Black Women on Broadway \u2013 Christin Essen \u2013 Mar. 1, 2024<\/h3>\n\n\n\n<p>Essin\u2019s research draws sharp focus to the skilled Broadway professionals whose use of analog and digital technologies prepare the bodies of actors to perform. Even costume technologies as small as a hairpin, she argues, have the potential to unlock the situational and cultural complexities of backstage labour.&nbsp;<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/920543700?h=a765f6b296&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"From Digital to Dressing Room: Hair Theory, Technology, and the Styling of Black Women on Broadway - Christin Essen\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=3736\">Symposium: Interpolations 1<\/a> \u2013 Oct. 21, 2023<\/h3>\n\n\n\n<p>a one-day symposium at the&nbsp;<strong>BMO Lab<\/strong>&nbsp;devoted to the interfaces between computational media and the performing arts. A dozen scholars of digital performance, VR theatre, the tech industry, computational dance, and more gathered to chart connections and pathways for this increasingly vital area of research.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p>Session 1: <strong>Virtual Sensoria<\/strong>, w\/ Elizabeth Hunter, Elise Morrison, Jessica Rajko<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/909120148?h=c7c4c00511&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Session 1-HD 1080p\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p>Session 2: <strong>AI as Theatre<\/strong>, w\/ Miriam Felton-Dansky, Christopher Grobe, and Lindsay Brandon Hunter<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/909118572?h=7eaa2758b5&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"session 2-HD 1080p\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p>Session 3: <strong>Still Exhausted<\/strong>: TDR Launch Panel, w\/ Catie Cuan, Douglas Eacho, and Sydney Skybetter<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/911627690?h=3680aa4883&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Session 3-HD 1080p\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p><strong>The Work of Art in the Age of Digital Commodification<\/strong><br>Keynote address: Annie Dorsen and Sam Gill&nbsp;<br>Responses: Jacob Gallagher-Ross and Sarah Bay-Cheng<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/911625181?h=8e2f6eedb1&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"KeyNote-HD 1080p\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=3728\">Artists\u2019 talk with the creators of asses.masses<\/a> \u2013 Sept. 20, 2023<\/h3>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/869630417?h=d4015c02a4&amp;badge=0&amp;autopause=0&amp;quality_selector=1&amp;progress_bar=1&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"asses_masses_project-HD 1080p\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=3543\">AI Salon \u2013 Text to Image Generation<\/a> \u2013 April 14, 2023<\/h3>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/818872604?h=6ab569b7f9&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"AI Salon - Text-to-Image-HD 1080p\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=3527\">AI Salon \u2013 Text Generation and Large Language Models<\/a> \u2013 March 31, 2023<\/h3>\n\n\n\n<p>We explore the recent developments in Large Language Models such as ChatGPT., talking  about how they work, giving detailed examples of the generation process, testing out many prompts on various models, and discussing the many implications of these systems.<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/816361774?h=33fa939fa2&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"A_ Salon_ Text-HD 1080p\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=3428\">Black Movement in Digital Spaces<\/a> &#8211; LaJun\u00e9 McMillian &#8211; March 2, 2023<\/h3>\n\n\n\n<p>Lajun\u00e9 McMillian discusses the exploitation, erasure, and dilution of Black movement and Black culture historically through appropriation, the evolution of Black face, and the commodification of our existence.&nbsp;&#8220;<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/805327731?h=c97af709c8&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Lajun&amp;eacute; MacMillian lecture at BMO Labs\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=3087\">Relational Dramaturgies<\/a> &#8211; Imanuel Schipper \u2013 October 25, 2022<\/h3>\n\n\n\n<p>A lecture by Imanuel Schipper, dramaturg for Rimini Protokoll. <\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/764270889?h=87309664fd&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Imanuel Schipper: Relational Dramaturgies: Co-Producing Spectators, Immersive Spaces and the change of the locus of dramaturgy\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n<br>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">AI As Foil Series: <a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=2454\">Hacking the Voice<\/a> &#8211; Friday, Mar 18, 2022<\/h3>\n\n\n\n<p>A discussion with Toronto vocalist Fides Krucker, and London beatboxer Reeps One (Harry Yeff)<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/690216667?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"AI As Foil Hacking The Voice\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">AI as Foil Series: <a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=2180\">A New Musical Frontier: AI Meets Music<\/a> \u2013 Oct 8, 2021<\/h3>\n\n\n\n<p>A discussion with music producer&nbsp;<a class=\"\" href=\"http:\/\/www.girlgineer.ca\/\"><strong>Annelise Noronha<\/strong><\/a>&nbsp;and AI scientist&nbsp;<a class=\"\" href=\"https:\/\/cs.smu.ca\/~sageev\/\"><strong>Sageev Oore<\/strong><\/a><\/p>\n\n\n\n<div style=\"padding:62.5% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/626813195?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"AI as Foil Music\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=2250\">Canadian Stage Festival of Ideas and Creation 2021<\/a><\/h3>\n\n\n\n<p>Presentations of the activities of the performers-in-residence Sebastien Heins, Ryan Cunningham, Maev Beaty and Rick Miller at the BMO Lab.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p>AI Generated Text: GPT-2 and Performance &#8211;  May 18, 2021<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/551756514?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"GPT-2 For Festival of Ideas FINAL_h264\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p>Voxels: Invisible motion sensing triggers in performance &#8211; May 19, 2021<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/552164305?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Voxels For Festival of Ideas FINAL_h264_recolour\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p>Live Motion Capture and Performance &#8211; May 20, 2021<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/552599708?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"MoCap For Festival of Ideas FINAL_h264\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">AI as Foil Series: <a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=2102\">The Essence of Style: AI Meets Fashion Design<\/a> &#8211; Feb 19, 2021<\/h3>\n\n\n\n<p>A Discussion with fashion designer&nbsp;Daniela Bosco&nbsp;and&nbsp;Idris Mootee, CEO of Urbancoolab<\/p>\n\n\n\n<div style=\"padding:54.09% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/514455621?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"AI as Foil Series: The Essence of Style: AI Meets Fashion Design \u2013 Feb 19, 2021\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Diagonal: <a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=2091\">\u201cEnchanting Infrastructure: New Approaches to AI\u201d<\/a> \u2013 Feb. 5, 2021<\/h3>\n\n\n\n<p>How should the recent explosion of research, investment, and discourse around &#8220;artificial intelligence&#8221; be critically understood?&nbsp;<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/509828241?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Enchanting Infrastructures: New Approaches to AI - Panel Discussion\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=1631\">Hacking Choreography: Kate Sicchio<\/a> \u2013 Dec 2, 2020<\/h3>\n\n\n\n<p>Dr. Kate Sicchio is a choreographer, media artist and performer whose work explores the interface between choreography and technology. <\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/488699645?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Kate Sicchio talk - BMO Lab - Dec 2, 2020\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">AI as Foil Series: <a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=1589\">The Automation of Beauty: AI\u2019s Role in Architecture<\/a> \u2013 Nov 27, 2020<\/h3>\n\n\n\n<p>A discussion with architect Thomas Payne and Francesco Iorio, CEO of Augmenta AI<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/486464826?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"BMO Lab's AI as Foil Series: The Automation of Beauty: AI\u2019s Role in Architecture \u2013 Nov 27\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">AI as Foil Series: <a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=1127\">Moves Like Moon Watcher<\/a> \u2013 Oct 9, 2020<\/h3>\n\n\n\n<p>A discussion with Dan Richter<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/468172435?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Moves Like Moon Watcher: A Discussion with Dan Richter\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">ARTificial Intelligence: <a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=889\">AI and Creativity Distinguished Lecture \u2013 Allison Parrish<\/a> \u2013 Aug 28, 2020<\/h3>\n\n\n\n<p>A lecture by distinguished computational poet Allison Parrish.<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\">\n  <iframe src=\"https:\/\/www.youtube.com\/embed\/Lx8PYRt5Irw?si=ljE6GKAnW5JKdawK\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\">\n  <\/iframe>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=156\">Kyle McDonald<\/a> &#8211; Artist Talk, March 2, 2020<\/h3>\n\n\n\n<p>An artist&#8217;s talk by groundbreaking AI artist Kyle McDonald.<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/396045301?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Kyle_McDonald_Artist_Talk_BMO_Lab_March_2_2020\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/bmolab.artsci.utoronto.ca\/?p=72\">Friedrich Kirschner, \u2019Spiel und Objekt\u2019<\/a>, Sept 19, 2019<\/h3>\n\n\n\n<p>A&nbsp;presentation by Friedrich Kirschner of the Ernst Busch School of the Performing Arts, Berlin.<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/363596387?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Friedrich Kirschner speaks at the BMO Lab for Creative Research in the Arts, Performance, Emerging Technologies and AI\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n","protected":false},"excerpt":{"rendered":"<p>Algorithmic Millennium: Creating Staged &amp; Digital Games \u2013 Feb 4, 2025 What does experimental performance have to do with video games? How do emerging media provide new landscapes for diasporic narratives? How can live and digital bodies perform and resist algorithmic control? The BMO Lab\u2019s winter keynote will explore these questions and more with two [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-4027","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-blog-posts","7":"entry"},"_links":{"self":[{"href":"https:\/\/bmolab.artsci.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/4027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bmolab.artsci.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bmolab.artsci.utoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bmolab.artsci.utoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/bmolab.artsci.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4027"}],"version-history":[{"count":42,"href":"https:\/\/bmolab.artsci.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/4027\/revisions"}],"predecessor-version":[{"id":4418,"href":"https:\/\/bmolab.artsci.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/4027\/revisions\/4418"}],"wp:attachment":[{"href":"https:\/\/bmolab.artsci.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bmolab.artsci.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bmolab.artsci.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}