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Oct 20 2020

Performers-in-Residence Update – Oct 15

Today we dipped our toes in the world of Artificial Intelligence. We played with a neural network (GPT-2) that was trained on an enormous dataset of text, and then fine-tuned to the complete set of plays of William Shakespeare.

The GPT-2 Shakespeare Explorer showing the probabilities for the next word to be produced (yellow is very likely, as you move towards purple, the words are much less likely to be chosen.)

This lead to a lively discussion about the relative meaningfulness or meaninglessness of the resulting text, and ways that this sort of system might be useful in the context of performance, as a tool for improvisation, as a challenge to the actor as interpreter, and as a tool during the workshopping phase of a new play. We considered the fact that plays and recipes were among the first human creations that resembled computer programs. In each case you define your ingredients or dramatic personnae or program variables, then provide a set of instructions to be performed.

Rick Miller, who will also be working with us in the Lab dropped by to meet Sebastien and Ryan and join the discussion.

Pia Kleber, Sebastien Heins, Rick Miller and Ryan Cunningham in conversation

Written by David Rokeby · Categorized: CanStage_BMO

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